<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762020000100009</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2020.116.2713</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El lugar del arte. Reflexiones sobre conceptos para obras arquitectónicas destinadas al arte contemporáneo]]></article-title>
<article-title xml:lang="en"><![CDATA[The Place of Art. Reflections on Concepts for Architectural Works Aimed at Contemporary Art]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Gallardo Frías]]></surname>
<given-names><![CDATA[Laura]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Chile Departamento de Arquitectura Facultad de Arquitectura y Urbanismo]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Chile</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<volume>42</volume>
<numero>116</numero>
<fpage>9</fpage>
<lpage>27</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762020000100009&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762020000100009&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762020000100009&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen   El objetivo del artículo es reflexionar sobre el lugar del arte contemporáneo. Se propone revisar diferentes definiciones de museos y centros de arte, así como múltiples tipologías arquitectónicas vinculadas. Una vez abierto el horizonte de significaciones, se pasa a distintas reflexiones sobre las relaciones entre los conceptos de lugar y arte contemporáneo. Más adelante, se despliega una estrategia metodológica multidisciplinaria y multimétodo que permite el estudio de cinco casos de obras arquitectónicas emblemáticas destinadas al arte contemporáneo en Santiago de Chile, donde se muestra el resultado de diversos factores en función de cuatro dimensiones: histórica, urbana, arquitectónica y sociocultural. En la discusión se analizan los principales factores a considerar tanto en el análisis como en la proyectación de obras arquitectónicas destinadas al arte contemporáneo. Se concluye con la síntesis de conceptos que llevan a una definición del lugar del arte contemporáneo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The aim of the article is to reflect on the place of contemporary art. It reviews different definitions of museums and art centers, as well as multiple linked architectural typologies. Once the horizon of meanings opened the relationships between the concepts of place and contemporary art are approached following a multidisciplinary and multimethodological strategy is deployed in five case studies of emblematic architecture destined for contemporary art in Santiago de Chile, where the out come of multiple factors is presented in four dimensions: historical, urban, architectural and sociocultural. In the discussion, the main factors to be considered in the analysis and in the design of architectural works aimed at contemporary art are examined. It concludes with the synthesis of concepts that scope to a definition of the place of contemporary art.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Museo]]></kwd>
<kwd lng="es"><![CDATA[centro de arte]]></kwd>
<kwd lng="es"><![CDATA[lugar]]></kwd>
<kwd lng="es"><![CDATA[arte contemporáneo]]></kwd>
<kwd lng="es"><![CDATA[arquitectura]]></kwd>
<kwd lng="en"><![CDATA[Museum]]></kwd>
<kwd lng="en"><![CDATA[art center]]></kwd>
<kwd lng="en"><![CDATA[place]]></kwd>
<kwd lng="en"><![CDATA[contemporary art]]></kwd>
<kwd lng="en"><![CDATA[architecture]]></kwd>
</kwd-group>
</article-meta>
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