<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0011-1503</journal-id>
<journal-title><![CDATA[Crítica (México, D.F.)]]></journal-title>
<abbrev-journal-title><![CDATA[Crítica (Méx., D.F.)]]></abbrev-journal-title>
<issn>0011-1503</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Filosóficas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0011-15032025000100005</article-id>
<article-id pub-id-type="doi">10.22201/iifs.18704905e.2025.1645</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[En torno al concepto de obra artística perfecta: una definición y sus implicaciones]]></article-title>
<article-title xml:lang="en"><![CDATA[About the Concept of Perfect Artwork: A Definition and Its Implications]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Pérez Otero]]></surname>
<given-names><![CDATA[Manuel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Barcelona Facultad de Filosofía Departamento de Filosofía]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<volume>57</volume>
<numero>169</numero>
<fpage>5</fpage>
<lpage>21</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0011-15032025000100005&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0011-15032025000100005&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0011-15032025000100005&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Se formulan dos hechos concernientes a nuestras apreciaciones de obras artísticas. Después, propongo una definición de las obras artísticas perfectas, que está en consonancia con esos hechos. Imagino una potencial objeción a la definición y conjeturo una condición necesaria para que algo sea artístico, que permite evitar la objeción. Finalmente, constatamos que esa condición establece ciertos límites al minimismo en el arte.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Summary Two facts are formulated concerning our appreciations of artworks. I then propose a definition of perfect artworks, which is in line with these facts. I imagine a potential objection to the definition and I conjecture a necessary condition for something to be artistic, which allows the objection to be avoided. Finally, we note that this condition establishes certain limits to minimalism in art.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[superioridad/inferioridad artística]]></kwd>
<kwd lng="es"><![CDATA[mundo posible]]></kwd>
<kwd lng="es"><![CDATA[fallo artístico]]></kwd>
<kwd lng="es"><![CDATA[flexibilidad modal]]></kwd>
<kwd lng="es"><![CDATA[arte minimista]]></kwd>
<kwd lng="en"><![CDATA[artistic superiority/inferiority]]></kwd>
<kwd lng="en"><![CDATA[possible world]]></kwd>
<kwd lng="en"><![CDATA[artistic failure]]></kwd>
<kwd lng="en"><![CDATA[modal flexibility]]></kwd>
<kwd lng="en"><![CDATA[minimalist art]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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