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Valenciana
Print version ISSN 2007-2538
Valenciana vol.2 n.4 Valenciana Jul./Dec. 2009
https://doi.org/10.15174/rv.v0i4.244
Artículos
Tinísima como collage lingüístico: la estética dialógica de Elena Poniatowska
En la primera parte de este artículo se comenta la multiplicidad lingüística y formal de Tinísima, de Elena Poniatowska. En la segunda, se analiza cómo las secuelas de la vida caótica de Tina Modotti, como una mujer seductora, carismática y trabajadora, la dejan vacía y sin un verdadero sentido de sí misma. Asimismo se cuestiona la reinvención repetida de Modotti, su auto-identificación mediante su amor, y el control y sentido de identidad que establece temporalmente por medio de la fotografía.
Palabras clave: Tinísima; Poniatowska; Bajtín; Modotti; multiplicidad
The first part of this article explores the multiplicity of language and form in the novel Tinísima, by Elena Poniatowska. The second half will explore how the aftermath of Tina Modotti’s chaotic life as a seductive, charismatic, workaholic young woman, as reflected in Poniatowska’s narrative choices, leaves Modotti empty and lacking a true sense of self. It will also question Modotti’s repeated reinvention of herself, her self-identification through her love, and the control and sense of identity she temporarily achieves through photography.
Keywords: Tinísima; Poniatowska; Bajtín; Modotti; multiplicity
Bibliografía
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Este es un artículo publicado en acceso abierto bajo una licencia Creative Commons
