On-line version ISSN 1870-9044
Polibits n.44 México Jul./Dec. 2011
Automatic Music Composition with Simple Probabilistic Generative Grammars
Horacio Alberto García Salas1, Alexander Gelbukh2, Hiram Calvo3, and Fernando Galindo Soria4
1 Natural Language Laboratory, Center for Computing Research, National Polytechnic Institute, CICIPN, 07738, DF, México (email: email@example.com).
2 Waseda University, Tokyo, Japan, on Sabbatical leave from the Natural Language Laboratory, Center for Computing Research, National Polytechnic Institute, CICIPN, 07738, DF, México (email: firstname.lastname@example.org).
3 Natural Language Laboratory, Center for Computing Research, National Polytechnic Institute, CICIPN, 07738, DF, México (email: email@example.com).
4 Informatics Development Network, REDI (email: firstname.lastname@example.org).
Manuscript received February 10, 2011.
Manuscript accepted for publication July 30, 2011.
We propose a model to generate music following a linguistic approach. Musical melodies form the training corpus where each of them is considered a phrase of a language. Implementing an unsupervised technique we infer a grammar of this language. We do not use predefined rules. Music generation is based on music knowledge represented by probabilistic matrices, which we call evolutionary matrices because they are changing constantly, even while they are generating new compositions. We show that the information coded by these matrices can be represented at any time by a probabilistic grammar; however we keep the representation of matrices because they are easier to update, while it is possible to keep separated matrices for generation of different elements of expressivity such as velocity, changes of rhythm, or timbre, adding several elements of expressiveness to the automatically generated compositions. We present the melodies generated by our model to a group of subjects and they ranked our compositions among and sometimes above human composed melodies.
Key words: Evolutionary systems, evolutionary matrix, generative grammars, linguistic approach, generative music, affective computing.
The work was done under partial support of Mexican Government (CONACYT 50206H, SIPIPN 20113295, COFAAIPN, PIFIIPN, SNI).
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