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Comunicación y sociedad

versión impresa ISSN 0188-252X

Comun. soc vol.18  Guadalajara  2021  Epub 04-Oct-2021

https://doi.org/10.32870/cys.v2021.7762 

General theme

The Myth of Romantic Love in the journalistic account of femicides of women of legal age in Colombia

1 Universidad Central, Colombia. mecheverriab1@ucentral.edu.co


Abstract

This article seeks to demonstrate the role played by the Colombian written press in the construction of the social narrative on the femicide of adult women in the country, through the identification of the dominant macrostructure in more than 1 000 journalistic products from more than 20 local and national newspapers. The sample, which was taken over three years, was subjected to a content analysis that showed that the dominant macrostructure is neither the understanding of femicide as a social phenomenon, nor the dissemination of the antifemicide law in Colombia, but the Myth of Romantic Love as a discursive element present in most of the cases published in the national press.

Keywords: Femicide; violence against women; mass media; Myth of Romantic Love

Resumen

El presente artículo busca evidenciar el papel que ha desempeñado la prensa escrita colombiana en la construcción del relato social sobre el feminicidio de mujeres mayores de edad en el país. Esto, por medio de la identificación de la macroestructura dominante en más de 1 000 productos periodísticos provenientes de más de 20 periódicos locales y nacionales. La muestra, que se tomó durante casi tres años, fue sometida a un análisis de contenido que evidenció que la macroestructura dominante no es el entendimiento del feminicidio como fenómeno social, ni la divulgación de la ley antifeminicidio en Colombia; es el Mito del Amor Romántico como elemento discursivo presente en la mayoría de los casos publicados en la prensa nacional.

Palabras claves: feminicidio; violencias contra las mujeres; medios de comunicación; Mito del Amor Romántico

Introduction

Understanding the social responsibility the academy has to contribute to the prevention of violence against women, the Universidad Central’s (Colombia) Program of Social Communication conducted a research based on a comprehensive monitoring of written press in 20 national and local Colombian newspapers on cases of femicide and attempted femicide published between March, 2015 and December, 2017. The sample was collected to analyze the role played by the media in the construction of the story about femicide in Colombia, and to establish whether there has been an appropriation of Law 1761 of 2015, which criminalizes femicide in the country.

To this end, a conceptualization of femicide was made, not only from the legal perspective of Colombian law, but also from feminist theories. Regarding the concept of femicide, the researchers Radford and Russell (1992), as pioneers in the discussion, understood femicide as “the murder of women by men motivated by hatred, contempt, pleasure, or a sense of ownership of women” (p. 23).

In Latin America, the Mexican anthropologist Lagarde (2005) enriches the discussion by arguing that this is a State crime, since it is the State that is responsible for preventing and attacking violence against women. This concept was relevant in the discussion on the responsibility of the State in crime prevention.

Likewise, the Argentine theorist Segato (2012) speaks of the:

Importance of typifying the various types of violence against women, making the difference between crimes that can be personalized, i.e., interpreted on the basis of interpersonal relationships or personal motives on the part of the perpetrator, and those that cannot be (p. 1).

According to the author, there is a special interest in keeping crimes against women in the private sphere and therefore in making them invisible in terms of social and State responsibility.

This present research was based on the classification made by the Mexican sociologist Monárrez Fragoso (2005) on the types of femicide: intimate femicide, which is subdivided into child and family femicide; systemic sexual femicide, which covers the murders of girls and young women who have been kidnapped, raped, tortured, mutilated and whose corpses are deposited in deserted lots or vacant sites (p. 167). Likewise, the typification made by the feminist lawyer Isabela Agatón, who promoted in Colombia the anti-femicide Law 1761, was also taken into account. Agatón (2017), like Monárrez Fragoso, distinguishes systemic sexual femicide, and enriches the concept with the typification of “sexualized femicide: that crime committed because of prejudice related to sexual orientation; and aggravated femicide; when the crime is committed after the sexual aggression” (p. 47).

Other important theoretical references for the development of this research were taken from Segato (2018), mentioned above, who develops the concept of the masculinity mandate linked to the pedagogy of cruelty as a form of male enlightenment towards women through the use of violence; a fundamental concept to think about the prevention of violence from the media and the need for the stories to be built without disclosing the logics of violence that are carried out from such pedagogy.

The sample was subjected to a content analysis that showed that the predominant journalistic genre was news pieces with 79% of the total sample, followed by news briefs with 14%, leaving genres such as chronicle and news stories in very low percentages. Although the sample was made up of both local and national newspapers, it was the local newspapers that contributed significantly to the sample since they are the ones that publish the most cases of femicide.

Regarding the characterization of the victims, it was decided to analyze the majority category: women of legal age (84.2%), victims of femicide or attempted intimate femicide. That is, femicide which is committed by a relative of the victim, including the partner or ex-partner (Monárrez Fragoso, 2005).

Based on the results of the content analysis, we proceeded to identify the main theme or predominant macrostructure of the sample, understanding the macrostructure as the structure of meaning of a discourse, which is responsible for defining the core that gives meaning, or not, to the discourse (van Dijk, 2003, p. 4). Considering the delimitation of the sample, it became evident that the macrostructure of the analyzed pieces is not the understanding of femicide as a social phenomenon, nor the dissemination of the Rosa Elvira Cely (anti-femicide) Law. It is the Myth of Romantic Love, understood from the concept of Bosch et al. (2007):

To make the other person the only and fundamental aspect of existence; to live very intense experiences of happiness or suffering. To depend on the other person and to adapt oneself to him or her, postponing one’s own. Forgiving and justifying everything in the name of love (p. 135).

This myth is exposed in a non-obvious way as an excuse for femicides, and trivializes, through what is believed to be love, violence against women and its fatal outcome in femicide.

Methods

The research was conducted under a mixed methodological approach, based on quantitative and qualitative analyses. The creation and subsequent development of the methodological design was divided into four phases.

The first phase was based on a documentary research on the concept of femicide; this research considered the guidelines of the Rosa Elvira Cely law (anti-femicide), its most important characteristics and its limitations according to activists of the cause. This phase sought that the entire research team, composed of undergraduate students, would be able to identify when a case of femicide or attempted femicide occurs.

Continuing with the documentary research tool, in the second phase of the project, during three months, students2 and the teacher leader of the research monitored 20 newspapers in the newspaper library of the National Library. Among the newspapers were: El Colombiano, El Heraldo, El Universal, Diario del Huila, El País de Cali, La Patria, El Nuevo Día, Vanguardia Liberal, El Liberal de Popayán, El Diario del Llano, Boyacá 7 Días, Llano 7 días, Chocó 7 Días and the newspapers Qhubo de Cali, Bogotá, Pereira and Medellín. The newspapers El Tiempo and El Espectador were monitored in their online version, as well as the national news portal HSB, which publishes information from several popular newspapers including El Extra, and other online media were monitored by volunteers from the campaign No es hora de callar. The sample was taken from May, 2015 to December, 2017, identifying 1 011 journalistic products on cases of femicide and attempted femicide, plus 117 products that responded to the case of the girl victim of kidnapping, torture, rape and aggravated femicide, Yuliana Samboní, which were not taken into account in the content analysis as they multiplied the data.

In the third phase of the methodological design, an information analysis matrix was constructed which, at the same time, served to systematize the corpus of information. The matrix took into account the following variables: name of the victim and perpetrator (or aliases), age of the victim, social stratum, ethnicity, mother or not, city, femicide or attempt, whether the perpetrator was a family member or partner or others, evidence of re-victimization by the media, place where the events occurred, weapon used, type of violence used pre-femicide and/or in the femicide, suicide or attempted suicide of the victimizer, section of the newspaper, the words most used by the media, use or not of the word femicide, what type of motive was used or implied by the media, headline, among other emerging variables. The information systematized in the matrix was subjected to a content analysis, which was carried out using the free software R version 3.6.1, and the package quanteda (Benoit et al., 2018), obtaining quantitative results.

The sample showed that the predominant journalistic genre was the news piece with 79% of the total sample, followed by news briefs with 14%, and that most of the products were contributed by local, small, and popular media. Regarding the characterization of the victims, it was decided to analyze most cases: women of legal age (84.2%). Minor victims have a percentage of 10.7% of the total sample, a percentage that for the purposes of this article was not considered because their cases have different discursive and narrative structures than those of adult victims.

Once the sample was delimited, we moved on to the fourth phase of the research, which sought to identify the macrostructures, i.e., the most common themes of the products analyzed. The research made use of the analytical perspective of the Critical Discourse Analysis (CDA) by van Dijk. Although CDA does not have a designed methodology, its creator suggests the analysis of textual linguistic elements that help to identify in a discourse the relevant information proposed by the text.

For the analysis of the sample, the project was based on one of the most important textual macrorules proposed by van Dijk (1995): selection, which consists of paying attention only to the parts of the text that are relevant to understand its general meaning. It is necessary to clarify that a strict linguistic analysis was not carried out, as is the case with discourse analysis, which differs from CDA in that, in the latter, multidisciplinarity is fundamental to understand the contexts (van Dijk, 2003, p. 4).

Results

The research corpus included 1 011 journalistic products on cases of attempted femicide and femicide. Some of the results of the content analysis are presented:

Cases of femicide and attempted femicide: 18.8% corresponded to cases of attempted femicide, while 81.2% of the sample corresponded to cases of femicide.

Victimizer: In the majority of femicides the perpetrator was the victim’s partner or ex-partner, representing 61.8% of the total sample; the family perpetrator, including father, stepfather, uncle, cousin, among others, represented 20.4% of the sample; and the percentage of products for which no information was provided was 17.8%.

Suicide or attempted suicide of the victimizer: no was an 88.9% of the total sample, and yes was 11.1%.

Variables that account for the role-played by the media in reporting cases of femicide:

Use of the term femicide: 60.7% of the publications did not use the term “femicide” or “attempted femicide” and 39.3% of the sample did use the terms.

Type of source: 34.8% of the total sample responded to a judicial source, 28.9% to police, 14.8% to family, 8.9% to neighbors, 8.2% to others, and 4.4% to experts in the field.

Newspaper section: 58% of the total sample published the product in the judicial section, others were a 25%, and 17% in the daily news section.

Motivation for femicide according to the publication: 32.7% of the total sample reported no motivation for femicide, 28.9% reported abandonment of the victim to the perpetrator as motivation, 26.2% reported jealousy, and 12.20% of the sample reported other types of motivation.

Re-victimizing elements in the publication: in 46.4% of the total sample various forms of re-victimization were found, yellow journalism in 21.6%, no re-victimization was found in 10.9%, biased information was identified in 6.6%, re-victimizing interviews in 5.1%, violent photographs in 3.8%, use of wrong terms to refer to femicide such as “crime of passion” in 3.6%, and others in 2%.

Most used words in the publications: 34.8% of the sample presented the combination of words “abandonment”, “jealousy”, “love”, and “infidelity”; 32% could not be identified; “crime of passion” appeared in 16.4%; “jealousy” in 9.7%: “abandonment” in 3%; “love” in 2.4%; and “suicide” in 1.7%.

Use of the term femicide in publications by year: in 2015, 23.3% used the term and 74.7% did not; in 2016 33.6% used it and 68.4% did not; in 2017 51.9% used it and not in 18.1%.

Journalistic genre: 79% news pieces, 14% news briefs, 3% chronicle, 2% story, and 2% others.

Critical Discourse Analysis of Journalistic Products

Every text has a macrostructure that represents its meaning; thus, for a text to be understood as a unit of communication, it must have a fundamental informative core; that is, a primary theme (van Dijk, 2003, p. 8).

The textual macrostructure that one would expect to find in news products on cases of femicide would be that of femicide treated as a social problem, its causes, its consequences, and the dissemination of the anti-femicide law in Colombia. However, the content analysis conducted on 1 011 notes on cases of femicide in different Colombian newspapers evidenced that 60.7% of the analyzed news items did not use the term, and that, even though from 2015 to 2017 the use of the concept in the products increased by 23.3%, the use of the term was made without explaining the anti-femicide law in Colombia or the social problematic that frames the phenomenon. Although in the totality of the sample a murder is mentioned, there is no special emphasis that the murder responds to the typology of femicide, and when it is done, there is no mention of the specific characteristics that make it a gender-based crime; demonstrating that the issue of femicide in its full dimension is not part of the macrostructures of the sample.

The fact that in most of the sample analyzed the concept of femicide or attempted femicide was not used, that when it was used it was done without explaining its meaning, and that, on the contrary, evident importance was given to issues related to the personal lives of the victims, their affective relationships linked to transgressions of female gender roles, such as abandonment or the role of the victim in her love relationships, suggests that one of the most relevant macrostructures -which does not mean that there are not others- is linked to the Myth of Romantic Love.

To contrast the above hypothesis, it was decided to use the analytical perspective provided by the CDA. It should be made clear that an analysis of the entire sample is an impossible task to accomplish, so methodologically it was decided to analyze by means of examples that are part of the research corpus and the results of the content analysis, one of the most important textual macrorules that, according to van Dijk (2003), are indispensable for the identification of the macrostructure of any text: selection.

Romantic Love and the Naturalization of Violence

The concept of gender is understood as a social construct and it differentiates from sex, as explained by Lagarde (1994):

We have physiological and sexual characteristics with which we are born, which are natural and do not change (at least not naturally). We call this “sex”. And, on the other hand, we differ, because each society, each culture has given a different value and meaning to these sex differences and has developed ideas, conceptions, and practices about being a man and being a woman. This set of social, economic, political, cultural, psychological, legal characteristics and norms, assigned to each sex differentially, is what is called gender (p. 24).

This helps us to understand how the processes of socialization differentiated between boys and girls have nurtured female stereotypes linked to maternal care, family care, care of the elderly and the sick, among others, which for generations prevented women from entering the public sphere of social and economic recognition. In addition, as analyzed by Burin (1996), it is evident that while men constructed their identity as economic providers, women constructed their identity as providers of affection “... for the men, rational power; for the women, the power of affection” (p. 85).

The power of affection has made women privilege affective relationships before any other type of relationship, which has generated a feminine identity subordinated to the idea of feelings. In this construction arises the Myth of Romantic Love.

For centuries, the Myth of Romantic Love has been disseminated from literature to current film productions, ceasing to be a private reference of a desirable way of life, for a globalized desire of what is expected to be affective relationships. Journalistic products, no matter how objective they try to be, do not escape from this logic.

Considering that, in the results of the content analysis presented above, it was evident that 62% of the perpetrators out of 100% of the sample were the victim’s partner or ex-partner, the myth of Romantic Love became a constant reference in the textual structures examined.

From the macroregulation of selection to the macrostructure of the Romantic Love Myth

Next, we present elements identified in the analyzed sample that respond to the textual macrorules of selection proposed by the ACD, making an argumentative path of why the Myth of Romantic Love has been placed as one of the most important macrostructures of the analyzed corpus.

Selection

The use of the image of women linked to eroticism, beauty and maternity

The speeches analyzed mostly select personal information about the victim and the facts surrounding the femicides.

A bra that exposed a woman’s firm breasts and face lost in the depths of death (HSB noticias, 2016).

The journalistic text makes a romantic-erotic narration of the victim’s appearance at the moment the corpse is found, eroticizing a body that has been violated and showing it almost as ready for pleasure, making death a narrative of desirable beauty.

Death with woman’s smell (Qhubo Cali, 2015).

The idea of the female body as a source of irremediable desire is a recurrent idea in the Myth of Romantic Love. It is about imaginaries in which women provoke desire by the simple fact of existing. These imaginaries, according to Dio Bleichmar (1997), are understood by women from childhood or puberty, when girls discover the seductive power of the body from the gaze of an adult man “the fact that the sexual stimulus comes from the outside and that it does not start from an internal stimulus” (p. 43), influences, according to the author, the construction of a female identity linked to desire.

While the female body is shown in readiness to be desired, and even touched, as a recurring erotic element in world literature, cinema and most of the products of cultural industries, including journalistic products; women, outside the idealization of eroticism, live with the fear of being raped, believing that any movement made can be interpreted as availability to sexual contact. In the sample analyzed, cases such as the one mentioned above, even eroticizing a corpse, are not few. Likewise, the qualification of the victims from their physical appearance with words such as “beautiful”, “angelic”, “gorgeous”, etc., giving relevance to the physical characteristics of the victim, are evidence of the recurrent selection of a discourse that idealizes female bodies and faces.

A beautiful woman who had been stabbed to death inside her own home, at the hands of her husband, the man she lived with and the man to whom she had sworn eternal love (HSB noticias, 2017).

This type of textual structure shows an interest in constantly resorting to the victim’s physical appearance and love relationship to describe the facts, linking femininity with beauty, and trivializing the crime. In the vast majority of the journalistic products analyzed, there is no questioning of the loss of a valuable human being; the woman victim is measured from her physical appearance or her gender role.

Likewise, this happens with the idea of motherhood and the role of wife or partner. The victim’s private life prevails over her public life. The vast majority is described in their family role as partners and mothers, ignoring other aspects of their lives. Since the perpetrator is, in most cases, the victim’s partner or ex-partner, it could be said that it is normal for the information published to focus on aspects related to the sentimental relationship between victim and perpetrator, such as children, home and family. However, there is no ethical mandate not to reveal the private life of women; on the contrary, it is done systematically, needlessly, distancing the victim from other social spheres other than the family, the partner, the children and therefore love, in such a way that it seems that femicides always correspond to the logic of love or to her social role as a woman.

Her husband shot her in the head, not caring about the two children she gave him (HSB noticias, 2017).

Femicide as a response to a transgression of the feminine gender role

The content analysis of the sample showed that 32.7% of the total sample reported no motivation for femicide, 28.9% reported abandonment of the victim to the perpetrator as motivation, 26.2% reported jealousy and 12.20% of the sample reported other types of motivation. Again, in a good part of the corpus, love, breakup and jealousy are selected as possible motives for femicide, even if this has not been proven by judicial investigations.

Love, jealousy and rage, unleashed tragedy (Qhubo Bogotá, 2015).

Whoever writes the news, selects elements that define a woman by her sentimental relationship, and it becomes evident that when there is a rupture with the gender role socially assigned to her for being a woman: being faithful, being a mother, loving without asking for anything in return, etc., is when femicide occurs, as if the crime occurred as a sort of training to this rupture.

Segato (2003), after an arduous research work with rapists held in Brazilian prisons, concluded that sexual violence is more enunciative than instrumental, meaning that the act of violence is not carried out for the sole purpose of satiating sexual instincts, as has been commonly understood, but as a form of discourse related to the masculinity mandate, a discourse that is moralizing towards the victim, which occurs when the rupture of the gender role “forces” the perpetrator to show his power in a sexual manner, sending a message to women and their male partners.

In cases of femicide, there is also a conditioning in the face of the rupture of the socially imposed gender role. Men kill their partners because they cannot bear the idea of the failure of their masculinity before the possibility of abandonment or infidelity of the woman; that is why most of the women victims of femicide are previously threatened, persecuted, beaten, and some of them raped. There is a moralizing statement in the act of femicide: it is a message. This discourse is directed towards the victim, but also towards society. It is a message that is part of the popular slang with phrases such as “If she is not mine, she belongs to no one” and that feed the Myth of Romantic Love.

“You’re going to regret leaving me” he told his ex-partner before shooting her (El Heraldo, 2015).

This moralizing discourse does not remain in the private space of the family, friends and neighbors, it is transmitted by word of mouth with extreme ease, but, in addition, with mass media, it is a discourse that expands without any limit, being the discourse that the victimizer poses when journalists do not take on the task of delegitimizing it through language and ratify it by repeating over and over again the threats that the victim received, narrating time and again the bloody events.

Suicide, Travel and Romantic Love

Another recurrent selection in the analyzed discourses alludes to the metaphor of love as a journey:

Lovers are travelers on a shared journey, with common life goals understood as destinations that can be reached. The journey is not easy. In it there are impediments and there are roads (crossroads) where a decision must be made about which direction to take and whether to continue the journey together (Lakoff & Johnson, 1986, p. 84).

In part of the research corpus, the metaphor of love is assimilated as a journey whose end is the death of the victim, reminding us of the traditional phrase with which the priest concludes the Catholic marriage ritual “until death do you part”. This idea of love, impregnated by the sacrifice of the journey, shows death as a desirable end, since it is the ultimate goal of the journey undertaken as a couple. This type of imaginary, fed by lexical elements, typical of romanticism, can influence the construction of mental schemes in which a serious crime, such as femicide, ends up being the final act of true love.

Ex-boyfriend sent star to heaven (Qhubo Cali, 2017).

The above headline makes a play on words that associates the name of the victim with a desired place among believers in the Catholic tradition. Heaven is the place where only those who deserve it reach, those who in life have not sinned or have repented of their sins: it is a prize. Not only will the woman killed by her ex-boyfriend go to heaven, according to the headline, but she will go to heaven because he sent her, he allowed it, as if he had somehow done her a favor. This type of example trivializes the crime and, moreover, gives power and reason to the victimizer over his actions.

The content analysis showed that, in 11.1% of the cases, the perpetrator, after committing the femicide or attempted femicide, committed or attempted suicide. Once again, the metaphor of love as a journey is evident in these cases.

Their bodies will be buried today in Versailles, so that, God willing, they may rest eternally together (Qhubo Cali, 2016).

The suicide of the victimizer is shown as an act of contrition; the journalistic products incorporate the victimizer as one more victim of the circumstances, without an analysis that responds to the mandate of masculinity or machismo present, but to the simple normal action of love that leads to death. Thus, the quotation marks narrating threats against the victims are replaced by fragments of suicide letters in which the victimizer justifies his acts in the name of love.

From there (heaven) we are going to be watching over you (children). I did it because I love her too much and it was very hard to lose her and see her in the arms of another [fragment of the suicide letter left by the victimizer] (HSB noticias, 2017).

Conclusions

Although the results of the content analysis show that the use of the term “femicide” has increased from 25.3% in 2015 to 51.9% in 2017, it is not possible to say that in the analyzed sample there is an appropriation of the anti-femicide law in Colombia. This, because in the total of the research corpus, from 2015 to 2017, the non-use of the term is still higher, and because, although the concept is used, it is not accompanied by the explanation of the law or the understanding of the serious dimension of the problem. On the contrary, the term is being used in an empty way, and even, it could be said predictably, it will end up being a yellow journalism element to describe this type of murders.

Although in the national media there is a growing interest in communicating about violence against women with a responsible gender approach -without this meaning that it is always achieved-, in the vast majority of small or popular media, which publish much more frequently cases of femicide than the national media, and therefore were more representative in the corpus of the research, femicides are assumed as daily news without showing an interest in seeking the causes of this social phenomenon. On the contrary, the cases are published repeatedly, as if they were all the same, with the same re-victimizing elements, with lurid details about the facts and the private life of the victim, with elements that implicitly justify the crime through the stereotyping of love, jealousy, abandonment, and infidelity as possible motives for the murder.

Popular newspapers have a great power of influence on the imaginaries of their readers and therefore on what is understood by the crime of femicide, and it is these newspapers that should be influenced with greater certainty, seeking to modify the stories under the understanding that a femicide can never be assumed from a love story nor can it be justified from the rupture of the social role assigned to women.

As evidenced, State pronouncements in relation to femicide are almost nonexistent, and therefore their possible culpability for omission in prevention (Lagarde, 2005), the administration of justice and the monitoring of the situation of the orphans of femicide (a subject that is not addressed in any academic or institutional text), should be the subject of critical analysis. This analysis must consider the value that the loss of a life represents for society in general, taking into account that the victims of femicides are not only the women who die, but also their families and especially their children who have to grow up without a mother and often with a murderer father deprived of liberty or on the run. The State must take on this problem effectively, not only by enacting laws that protect women from being murdered because they are women, but also by generating and supporting education and communication processes with a gender perspective to prevent this violence.

Likewise, it is necessary to work on the role that the masculinity mandate plays in the concurrence of the crime; this means that journalism must understand that gender roles have a very strong influence on femicides and that these logics should not be replicated or fed in journalistic accounts.

The naturalization of violence against women of legal age, in the products analyzed, is evidenced in the harmful link made between violence and love and, therefore, its consequences. This burden can only be disarticulated when, socially -with the help of responsible media when addressing these issues-, femicide is not treated as a private matter, but as a social problem. The systematic and non-reflective dissemination of the facts of violence against women, its use as a commercial element, its naturalization, and therefore its tacit acceptance in societies such as the Colombian one, is not a minor problem, it is a priority issue when preventing any type of violence against women and, of course, femicide.

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How to cite:

Echeverría, M. (2021). The Myth of Romantic Love in the journalistic account of femicides of women of legal age in Colombia. Comunicación y Sociedad, e7762. https://doi.org/10.32870/cys.v2021.7762

This paper is a product of Universidad Central's research “Analysis of the journalistic discourse on femicide in Colombia: between the norm and naturalization?”.

2We thank Laura Cortés, María Fernanda, Vanessa Ovalle, María Fernanda Vargas, Julieth Alexandra Pinzón and Kamila Cruz.

Received: March 20, 2020; Accepted: September 04, 2020; Published: March 03, 2021

Creative Commons License Este es un artículo publicado en acceso abierto bajo una licencia Creative Commons