Bibliografía

-Aguilar Camín, Hector, La frontera nómada: Sonora y la revolución mexicana, Siglo XXI, México, 1986. [ Links ]

-Alpers, Svetlana, The Art of Describing: Dutch Art in the Seventeenth Century, University of Chicago Press, Chicago, 1983. [ Links ]

______, "The Mapping Impulse in Dutch Art" en David Woodward (coord.), Art and Cartography: Six Historical Essays, Chicago University Press, Chicago, 1987. [ Links ]

-Anderson, Rodney D., "Industrial Labor: 1876-1910" en Michael S. Werner, Encyclopedia of Mexico: History, Society, and Culture, Fitzroy Dearborn Publishers, Chicago, 1997, vol. 1. [ Links ]

-Ansell, Martin R., Oil Baron of the South-west: Edward L. Doheny and the Development of the Petroleum Industry in California and Mexico, Ohio State University Press, Columbus, 1998. [ Links ]

-Barthes, Roland, Image-Music-Text, trad. de Stephen Heath, Hill and Wang, Nueva York, 1977. [ Links ]

______, Camera Lucida: Reflections on Photography, trad. de Richard Howard, Hill and Wang, Nueva York, 1981. [ Links ]

-Benjamin, Walter, The Arcades Project, trad. de Howard Eliand y Kevin McLaughlin, The Belknap Press of Harvard University Press, Cambridge Massachusetts, 1999. [ Links ]

-Brown, Jonathan, Oil and Revolution in Mexico, University of California Press, Berkeley, 1993. [ Links ]

-Colmenares, Francisco, Petróleo y lucha de clases en México, 1864-1982, El Caballito, México, 1982. [ Links ]

-Crary, Jonathan, Techniques of the Observer: on Vision and Modernity in the Nineteenth Century, MIT Press, Cambridge, 1990. [ Links ]

-Creel, George, The People Next Door: an Interpretive History of Mexico and the Mexicans, The John Day Company, Nueva York, 1926. [ Links ]

-Dr, Atl, Las Artes Populares en México, Instituto Nacional Indigenista, México, 1980 [1921]. [ Links ]

-Duve, Thierry de, "The Monochrome and the Blank Canvas" en Reconstructing Modernism: Art in New York, Paris, and Montreal, 1945-1964, MIT Press, Cambridge, 1990. [ Links ]

-Escobar, Edward J., Race, Police and the Making of Political Identity: Mexican Americans and the Los Angeles Police Department, 1900-1945, University of California Press, Berkeley, 1999. [ Links ]

-Frizot, Michel, "1839-1840: Photographic Developments" en Michel Frizot (coord.), A New History of Photography, Könemann, Colonia, 1998. [ Links ]

Goldman, Shifra M., "Siqueiros and Three Early Murals in Los Angeles", Art journal, vol. 33, núm. 4, verano de 1974. [ Links ]

-Greenberg, Clement, "The Crisis of the Easel Picture", Partisan Review, abril, 1948. [ Links ]

______, Abstract, Representational, and so Forth" en Art and Culture: Critical Essays, Beacon Press, Boston, 1961. [ Links ]

-Hall, Linda B., Álvaro Obregón: Power and Revolution in Mexico, 1911-1920, Texas A&M University Press, College Station, 1981. [ Links ]

______,Oil, Banks, and Politics: The United States and Postrevolutionary Mexico, 1917-1924, University of Texas Press, Austin, 1995. [ Links ]

-Hockney, David, Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters, Viking, Nueva York, 2001. [ Links ]

-Jay, Martin, "The Scopic Regimes of Modernity" en Hal Foster (coord.), Vision and Visuality, Bay Press, Seattle, 1988. [ Links ]

-Katz, Friedrich, The Secret War in Mexico: Europe, the United States, and the Mexican Revolution, The University of Chicago Press, Chicago, 1981. [ Links ]

-La Botz, Don, Edward L. Donehy: Petroleum, Power, and Politics in the United States and Mexico, Praeger, Nueva York, 1991. [ Links ]

-Martínez Peñaloza, Porfirio, Tres notas sobre el arte popular en México, Porrúa, México, 1980. [ Links ]

-Menéndez, Gabriel Antonio, Doheny El Cruel: episodios de la sangrienta lucha por el petroleo mexicano, Bolsa Mexicana del Libro, México, 1958. [ Links ]

-Meyer, Lorenzo, México y Estados Unidos en el conflicto petrolero, 1917-1942, El Colegio de México, México, 1968. [ Links ]

-O'Brien, John (coord.), Clement Greenberg: The Collected Essays and Criticism, vol. 2, Arrogant Purpose, 1945-1949, University of Chicago Press, Chicago, 1986. [ Links ]

-Orozco, José Clemente, Autobiografía, Ediciones Occidente, México, 1945. [ Links ]

-Pozas Horcasitas, Ricardo, El triunvirato sonorense, Martín Casillas, México, 1993. [ Links ]

-Raat, Dirk, Revoltosos: Mexico's Rebels in the United States, 1903-1923, Texas A&M University Press, College Station, 1981. [ Links ]

-Richard, Pierre-Marc, "Life in Three Dimensions: the Charms of Stereoscopy" en Michel Frizot (coord.), A New History of Photography, Könemann, Colonia, 1998, pp. 174-183. [ Links ]

-Sontag, Susan, On Photography, Farrar Straus & Giroux, Nueva York, 1977. [Ed. en espafiol Susan Sontag, Sobre la fotografia, trad. de Carlos Gardini, EDHASA, Barcelona, 1981.] [ Links ]

-Starr, Kevin, Material Dreams: Southern California Through the 1920s, Oxford University Press, Nueva York, 1990. [ Links ]

______, "The Great Gatsby of American Cities: Los Angeles, 1900-1930" en Sarah Vure (coord.), Circles of Influence: Impressionism to Modernism in Southern California Art, 1910-1930, Orange County Museum of Art, Newport Beach, 2000. [ Links ]

-Steadman, Philip, Vermee's Camera: Uncovering the Truth Behind the Masterpieces, Oxford, Oxford, 2002. [ Links ]

-Tagg, John, The Burden of Representation: Essays on Photographies and Histories, Amherst, University of Massachusetts Press, 1988. [ Links ]

-Vasconcelos, José, The Cosmic Race: A Bilingual Edition, trad. y comentado por Didier T. Jaén, Johns Hopkins University Press, Baltimore, 1997 [1925]. [ Links ]

-Walton, Kendall L., "Transparent Pictures: On the Nature of Photographic Realism", Nous, núm. 18, 1984. [ Links ]

-Wheatstone, Charles, "Contributions to the Physiology of Vision", Philosophical Transactions, of the Royal Society of London, vol. 128, 1838, pp. 371-394. [ Links ]

-Wigley, Mark, White Walls, Designer Dresses: The Fashioning of Modern Architecture, MIT Press, Cambridge, 1995. [ Links ]

Imágenes referidas

Portada: Philip J. Ethington, Site of the Mexican Revolution, 607 West 7 ^th St. near Flower St., Los Angeles, 2004. El lado de la galería está marcado con un óvalo blanco arriba a la derecha; el Dr. Atl fue curador de la exposición Artes Populares en México, 11-25 noviembre de 1922; panorama de 360° desde el norte en la Flower St. en el sentido de las manecillas del reloj. [ Links ]

p. 33, Jan Vermeer, Die Malkunst [El arte de pintar], 1666-1667 Kunsthistorisches Museum, Viena. Fotografía, estudio y escala de calibración visibles. [ Links ]

p. 47, Philip J. Ethington, The Getty Research Institute (Richard Meier, 1998), 2004. [ Links ]

p. 61, Julius Shulman, Case Study #22 (Pierre Koenig), 1960. [ Links ]

p. 99, Philip Brigandi, El Zócalo, 16 ^th de Sept, 1930, colección Keystone-Mast, University of California Riverside/California Museum of Photography. [ Links ]

p. 119, The Patent Map System, Underwood and Underwood Catalogue (1913), colección Keystone-Mast, University of California Riverside/California Museum of Photography. [ Links ]

p. 137, The Underwood Travel System, Underwood and Underwood Catalogue (1913), colección Keystone-Mast, University of California Riverside/California Museum of Photography. [ Links ]

p. 143, Philip J. Ethington, The Borderlands: Los Angeles to Tampico. [ Links ]

p. 187, Philip J. Ethington, Ghost Neighborhood, 1939 and 1997, 1998. [ Links ]

p. 195, Philip J. Ethington, The City Field, 1939 and 1997, 1998. [ Links ]

p. 199, Bishop (later Archbishop) John J. Cantwell, Edward L. Doheny, and Estelle Doheny, ca. 1929, colección Doheny, Department of Special Collections-University of Southern California. [ Links ]

p. 215, A Miniature Mexico on Chester Place: The Palm House Conservatory, Doheny Mansion, colección Doheny, Department of Special Collections-University of Southern California. [ Links ]

p. 216, Tampico Harbor, ca. 1910, estereografía, Keystone View Company, Department of Special Collections-University of Southern California. [ Links ]

p. 219, Philip J. Ethington, The Ghosts of Greystone Mansion, 2004. De arriba abajo: St. Vincent de Paul (A. C. Martin, 1923) esquina de Adams y Figueroa, Los Angeles; Santa Prisca (1751), Taxco, Guerrero (el modelo para St. Vincent), colección Steven Wells; la mansión de Doheny (1901); la mansion de Greystone (1929), Beverly Hills Public Library. La fotografía de Greystone es cortesía de la Beverly Hills Public Library Historical Collection. [ Links ]