Resumen

RAMIREZ PAREDES, Jesús Eduardo. The signic conformation of the musical text under the perspective of Philosophers and Critics Art. Valenciana [online]. 2020, vol.13, n.26, pp.155-182.  Epub 22-Dic-2020. ISSN 2007-2538.  https://doi.org/10.15174/rv.vi26.486.

Composers have written in their texts ideas or emotions thanks to the use of signs in the written language. It’s hard to imagine that manipulations of musical material can’t reach any significance and they stay as a fact lacking the affective intervention from the composer. In musical treaties, we can barely find opportunities to broaden the notions of musical text, sign, emotional state and discourse. Because of this, I appeal to the creative force of philosophy -as a discipline to generate concepts that lead to schemes of thought useful to articulate knowledge coming from different disciplines- to respond the following questions: Does any meaning result from a musical text? Does a musical text communicate?

Palabras llave : Affective state; Discursive thinking; Rhetoric; Sign; Language units.

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