Resumo

SCHROEDER RODRIGUEZ, Paul A.. Teoría del Nuevo Cine Latinoamericano: de la militancia al neobarroco. Valenciana [online]. 2013, vol.6, n.12, pp.129-154. ISSN 2007-2538.

This article examines the transition from militancy to neobaroque in the theory of New Latin American Cinema, by analysing manifestos and films by Fernando Birri, Glauber Rocha, Jorge Sanjinés, and Paul Leduc. The study concludes that the shift to a neobaroque praxis signified a turn towards a more inclusive and revolutionary leftist project linked to what Aníbal Quijano calls the private-social.

Palavras-chave : New Latin American Cinema; manifestos; neobaroque; private-social; Fernando Birri; Glauber Rocha; Jorge Sanjinés; Paul Leduc.

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