Resumo

CHACON BERNAL, Carolina. Museums, Ethno-education and Anti-racism. The Exhibition La consentida es: La familia negra (The favorite is: The black family). Intervención (Méx. DF) [online]. 2021, vol.12, n.23, pp.114-155.  Epub 26-Set-2022. ISSN 2007-249X.  https://doi.org/10.30763/intervencion.244.v1n23.23.2021.

This ESSAY problematizes a case of Afro reparation in a joint initiative between a museum and communities from the exhibition La consentida es: La familia negra (The favorite is: The black family), curated collectively by artist Liliana Angulo and members of the Afro social movement organizations of Medellín (Colombia) at the Museo de Antioquia (MDA) during 2019. The text locates both coloniality and structural racism as problems that extend to the present day in Colombia and raises the complexity of the museum’s decolonizing pretension, at a time when dissidence is used as an exchange good to cover up the colonial regime it still represents.

Palavras-chave : curatorship; decoloniality; Afro-reparations; anti-racism; activism; museums; Museo de Antioquia; Colombia.

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