Resumo

LOMELI PONCE, Javier. El límite como concepto plástico en la obra de Eduardo Chillida. Una lectura desde la filosofía del límite de Eugenio Trías. En-clav. pen [online]. 2014, vol.8, n.15, pp.13-37. ISSN 2594-1100.

"The plastic limit as a concept in the work of Eduardo Chillida. A reading from the Philosophy of the Limit by Eugenio Trias" is an aesthetic investigation into the work of the Basque sculptor Eduardo Chillida that takes as its main concept the idea of the limit, understood as a fundamental ontological category applied to an artwork. All this, following the line proposed by philosopher Eugenio Trias, who with his philosophical system provides a theoretical and methodological approach to our analysis. In this way, and based on the symbolic value of art, the work of Chillida is addressed from a metaphysical aspect that, according to Trias's system of arts, speaks of space from the dialectic of matter/vacuum and from which we inhabit.

Palavras-chave : Eugenio Trías; Eduardo Chillida; limit philosophy; phenomenology; Basque sculpture.

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