Resumen

SOLIS REBOLLEDO, Gabriela  y  CUETO RUIZ-FUNES, Juan Ignacio del. Cicero, Vitruvius, Daniele Barbaro and Andrea Palladio: the Classical Creative Process of the Inventio-Dispositio and the Italian Renaissance’s Concept of Disegno. Acta poét [online]. 2020, vol.41, n.1, pp.133-156.  Epub 26-Dic-2019. ISSN 2448-735X.  https://doi.org/10.19130/iifl.ap.2020.1.869.

The purpose of this research is to elaborate on the problem of the humanist concept of disegno in italian Renaissance architectural theory, particularly on its interpretation by Andrea Palladio and his theoretical references, emphasizing on projective methodology. The starting point of the analysis lies in the analogy established in antiquity between the creative processes of the forma in Cicero’s discourse and Vitruvius’ architectural forma. The study lays out the importance of classical rhetoric and architecture as the knowledge in which the principles of architectural projects in the Cinquecento were built upon.

Palabras llave : Architecture; Rhetoric; Design; Inventio-Dispositio; Disegno; Andrea Palladio.

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