Resumo

MONTERO FAYAD, Daniel. Painting as Excess. Some Considerations on Mexican Painting from the Nineteen-Eighties to the Present. An. Inst. Investig. Estét [online]. 2017, vol.39, n.111, pp.91-129. ISSN 0185-1276.  https://doi.org/10.22201/iie.18703062e.2017.111.2604.

The present text is a historical reconsideration of the current status of painting in Mexico, gleaned from a series of exhibitions that took place both within the country and in the United States during the early 1990s. It also shows the tensions of criticism regarding this type of practice and how it is that a unique image of art in Mexico was produced in relation to the specificity of this milieu. On the other hand, the article describes how the discourse on painting was constituted from a shared international dialogue between Mexico and the United States that came into crisis towards the end of the nineties as a product of globalization.

Palavras-chave : Painting; Mexican art; art criticism; Neomexicanism; identity.

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