SciELO - Scientific Electronic Library Online

 
vol.33 número98Tolomeo y Copérnico en el Nuevo Mundo: Juan O'Gorman y el muro sur de la Biblioteca Central en Ciudad UniversitariaTorre Latinoamericana: 50 años. Restauración de un testigo índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Revista

Articulo

Indicadores

Links relacionados

  • No hay artículos similaresSimilares en SciELO

Compartir


Anales del Instituto de Investigaciones Estéticas

versión impresa ISSN 0185-1276

Resumen

GARZA USABIAGA, Daniel. Anthropology as Science, Anthropology as Politics: The Lessons of Franz Boas in Wolfgang Paalen's Amerindian Number of DYN. An. Inst. Investig. Estét [online]. 2011, vol.33, n.98, pp.175-200. ISSN 0185-1276.

This article reviews the influence of the German anthropologist Franz Boas on the art and literature of Wolfgang Paalen, who edited the journal Dyn between 1942 and 1945. The publication featured a double issue (numbers 4-5) devoted to Amerindian art, to which various Mexican anthropologists, including Alfonso Caso and Miguel Covarrubias, contributed with their scientific findings. This essay also highlights the influence of Boas's ideas in these contributions. The idea of diffusionism is of particular importance, since it provides an explanation for similarities in the production of different cultures at considerable distances apart. Although Boas was always cautious about diffusionism, Paalen and the other contributors to Dyn (particularly Covarrubias) took a more radical approach. This was a strategy with clear political implications: radical diffusionism contradicted racist anthropological theories that were being used at the time to justify atrocities against basic human rights under the fascist dictatorial regimes in Europe.

Palabras llave : Franz Boas; Wolfgang Paalen; DYN; Amerindian art; radical diffusionism.

        · resumen en Español     · texto en Inglés     · Inglés ( pdf )

 

Creative Commons License Todo el contenido de esta revista, excepto dónde está identificado, está bajo una Licencia Creative Commons