Resumo

LEON O’FARRILL, Israel. Author, exothopie and otherness in the construction of national identity from the indigenist cinema in Mexico: Chilam Balam (1955) by Íñigo de Martino. Cienc. ergo-sum [online]. 2022, vol.29, n.1, e149.  Epub 22-Ago-2022. ISSN 2395-8782.  https://doi.org/10.30878/ces.v29n1a5.

The way in which indigenous cinema collaborated in the construction of national identity based on Mexican nationalism to the detriment of image and concept of the indigenous in our country from the dialogism proposed by Bajtín (author, exotopy and alterity) is analyzed. To model this analysis, the film Chilam Balam (1955) by Íñigo de Martino is approached. Once the armed phase of the Mexican Revolution was over, the construction of a national identity was undertaken to generate cohesion around the national project. Activities such as education, art and the media were preponderant in disseminating national discourses to all levels of Mexican society.

Palavras-chave : Identity; Bakhtín; cinema; indigenism; Chilam Balam.

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